—參與式劇場(chǎng)及分享會(huì)

主辦：英國(guó)總領(lǐng)事館文化教育處，1912

活動(dòng)安排及地點(diǎn)：

參與方式：免費(fèi)參加。參與式劇場(chǎng)需事先注冊(cè)報(bào)名，詳情請(qǐng)見(jiàn)： http://wearecircumstance.com/nan.html

活動(dòng)廈門及香港站精彩剪輯： http://v.youku.com/v_show/id_XNTkwNTY5Nzc2.html

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活動(dòng)介紹

快閃族已風(fēng)靡一時(shí)，有想象過(guò)什么是隱閃嗎？

一場(chǎng)沒(méi)有彩排的演出，靜悄悄地發(fā)生在公共空間；一場(chǎng)未知的表演、一次和陌生人的邂逅、一次對(duì)城市的探索。你，想體驗(yàn)嗎？

初秋的總統(tǒng)府在地，懷舊復(fù)古的街邊一角，即將上演一場(chǎng)隱閃。這個(gè)世界，你是觀眾，也是演員。我們邀請(qǐng)你成為“乍現(xiàn)影院”《仿佛，最后一次》的主角。

也許過(guò)于便捷的通訊工具反而讓你和很多人疏于聯(lián)絡(luò)，一切變得不那么真實(shí)。這些年，你疏遠(yuǎn)了誰(shuí)，你想念著誰(shuí)，你想和誰(shuí)牽手，盼望跟誰(shuí)看戲，重返磚石小路…現(xiàn)在就邀請(qǐng)他/她一起來(lái)到《仿佛，最后一次》。

點(diǎn)擊鏈接報(bào)名成為劇中人，通過(guò)電子郵件得到活動(dòng)發(fā)生的時(shí)間地點(diǎn)和準(zhǔn)備事項(xiàng)。在乍現(xiàn)影院的現(xiàn)場(chǎng)，你將通過(guò)MP3播放器聆聽(tīng)音頻文件的敘述和指引而成為劇中的角色。在半小時(shí)里，演繹與觀影無(wú)界限。上一秒，你是冷靜的觀察者，下一秒，你卻化身為故事主角，潛入銀幕?；砥渲校覀儽毁x予了全新的視角，觀察這個(gè)世界并與它建立聯(lián)系。

“無(wú)從預(yù)測(cè)、深刻有力。參加‘仿佛，最后一次’，就是從世界抽離的最佳示范。然后你回來(lái)，發(fā)現(xiàn)自己看日常事物的角度，已經(jīng)有所不同?！薄猅heLondonist

“那是我在倫敦最震撼的經(jīng)歷之一。在倫敦，我看過(guò)各式劇場(chǎng)作品，有大型的，也有在酒廊小房間的。但‘仿佛，最后一次’是我覺(jué)得最個(gè)人、最動(dòng)人、最使人沉醉的‘表演’，猶如幻術(shù)。”—泰倫斯?伊頓

關(guān)于藝術(shù)家組織circumstance

circumstance是一個(gè)國(guó)際藝術(shù)家組織。他們通過(guò)藝術(shù)的形式，在意想不到的地點(diǎn)創(chuàng)造“影院式體驗(yàn)”。這種體驗(yàn)以不同的形式呈現(xiàn)，如大眾參與式表演、親密耳語(yǔ)式的故事講述、書(shū)籍、裝置和工作坊等。無(wú)論是憂愁或者浪漫，circumstance都能把它們?nèi)谌氲揭苿?dòng)技術(shù)和公共空間當(dāng)中。他們的作品靈感依賴于當(dāng)代表演、劇場(chǎng)、互動(dòng)設(shè)計(jì)、編曲、穿戴式電子設(shè)備、空間限定和滲透式媒介。

目前circumstance的藝術(shù)家組合為鄧肯?斯皮柯曼，薩拉?安德森及艾米莉?格蘭尼爾。他們以創(chuàng)作“乍現(xiàn)影院”的表演形式和在公共空間中運(yùn)用移動(dòng)通訊科技聞名。他們的作品一直在探索科技使用在社會(huì)、政治和情感層面造成的影響，并同時(shí)把體驗(yàn)轉(zhuǎn)化為故事本身。

目前circumstance的藝術(shù)家組合為鄧肯?斯皮柯曼，薩拉?安德森及艾米莉?格蘭尼爾。他們以創(chuàng)作“乍現(xiàn)影院”的表演形式和在公共空間中運(yùn)用移動(dòng)通訊科技聞名。他們的作品一直在探索科技使用在社會(huì)、政治和情感層面造成的影響，并同時(shí)把體驗(yàn)轉(zhuǎn)化為故事本身。

Subtlemob: As if it were the last time– Mass- Participatory Theatre and Artist Talk (Nanjing)

Organised by: the British Council, 1912

Event and Venue:

To participate:

Free to join. Please follow the link below to register for the live broadcast of mass-participatory theatre:http://wearecircumstance.com/naneng.html

Highlights from ‘a(chǎn)s if it were the last time’ in Xiamen and Hong Kong:http://wearecircumstance.com/naneng.html

ABOUT THE EVENT

Flashmob has been here and there for quite a while. But do you have any idea about ‘subtlemob’? It is a never-rehearsed performance taking place quietly in public area.

It is a mysterious show for encounter with strangers and exploration of the city. It is a theatre you can participate in and experience.

In an early-autumn day of nostalgic Nanjing, here comes the quite performance of subtlemob. Within this show, you are the audience and the performer at the same time. You are invited to be on the centre stage of ‘As If It Were the Last Time’, a subtlemob.

Modern devices and apps seem to make communication today super-convenient. But perhaps they have also made you feel unrealistic and more distanced from people. While listening to the in-ear stories specially made by the directors, you will find neon lights on the street illuminating the stage for you.

If there is someone you become distant with, someone on your mind, someone you want to hold hands with, someone you want to watch a film with…That is the one you should invite now to join you for ‘As If It Were the Last Time’.

Click the link and register for the event! You’ll receive more details and instructions through email. On the day, you need to play the audio files in your own MP3 player. By listening to the narratives and following the instructions, you will become one of the characters in this play. Boundary of acting and observing vanishes in the 30-minute show. You are a cool-headed observer at one moment, and become an active character at the next. Being part of the story, you will be able to look at and interact with the world from a completely new and different angle.

‘Capricious and profound, the experience definitely captures what it is to escape from the world for a little bit, then return and find that you see things just a bit differently.’ –The Londonist

‘It was one of the most intense experiences I’ve ever had in London. I’ve seen performances in lots of London theatres, some big, some in the back room of pubs, but ‘As If It Were The Last Time’ was the most personal, moving and bewitching ‘show’ I’ve witnessed. Truly magical.’ –Terence Eden

ABOUT CIRCUMSTANCE, THE ARTIST GROUP

circumstance is an international artists collective. They draw on backgrounds in contemporary performance, theatre, interactive design, music composition, wearable electronics, locative and pervasive media.

circumstance create cinematic experiences in unexpected locations. These experiences take many forms, from mass participation performances and intimate in-ear stories, to books, installations and workshops. They take melancholy and romance and wrap it up in the politics of mobile technology and public space.

circumstance is currently Duncan Speakman, Sarah Anderson and Emilie Grenier. They are known for the creation of the ‘subtlemob’ form of performance and their application of mobile electronics in public space. Their projects consistently address the social, political and emotional impacts of the technologies used, while working with the narrative of experience.

（來(lái)源：英國(guó)使館文化教育處，編輯 Helen）